Archive by Author

Musical Paths Converge on Apr 2

23 Mar

Poster for April 2, 2011 at The Mint Following the success of the December concert, we’ve been invited back to The Mint – this time on a Saturday! On his fourth tour in the US, sitarist Chirag Katti will be opening the concert as a soloist, as well as appearing with my band. Aside from his numerous credentials (see below), Chirag also happens to be my cousin and I’m very excited about our concert. I hope you can make it!

Manisha Shahane with guest sitarist Chirag Katti

Sat Apr 2 at THE MINT

***Doors Open at 7:00PM***

Concert at 7:30pm (appx 70-minute program)

The Mint, 6010 West Pico Blvd, Los Angeles, CA 90035

Ph: 323.954.9400 for table reservations

Purchase tickets in advance at http://TheMintLA.com

Admission
All ages welcome.
$12 (or $10 with flyer)
Add $5 for under 21

The musical paths of two cousins converge

Mumbai-based Indian classical artist Chirag Katti is on his fourth tour in the US:
“There is little doubt that Katti has enormous talent-his playing is both studied and expansive, and he tackles difficult raags with panache. Also, his sitar skills bear the mark of years of practice.”
–Rave International Magazine

LA-based American songwriter Manisha Shahane offers a new release rooted in folk, jazz, & Indian traditions:
“A marvelous performer and her pristine vocals only prove that this sublime blending of sounds and tones is no accident…an adventure through cultures and countries that proves incredibly satisfying and energizing…Her ability to draw listeners in with various styles is remarkable and many will be mesmerized by her transitions…”
–Jordan Richardson, I Hear Sparks, BlogCritics

Chirag Katti is a Mumbai-based sitarist & composer who made his debut in the US in 2009. Chirag has been learning sitar for the last 18 years and has 4 albums to his credit. A third generation musician, his youthful exuberance and persona is well expressed through his music. He is a graded artist of All India Radio and a recipient of the prestigious ‘Surmani’ award, as well as a sitar scholarship awarded by the Ministry of Culture in New Delhi. At the age of 25, he has already appeared many times on TV and Radio in India. In 2010, he appeared with Boston Viva Musica Symphony Orchestra. In addition to giving concerts in India and the US, he has also performed Japan. He recently invented an electric sitar, which he hopes to bring on future tours. When Chirag is on tour in the States, he resides and teaches in Boston. Chirag kicked off his spring 2011 tour with a concert in Boston presented by MITHAS earlier this month. He will be presented by the Chhandayan Center in New York City at the end of March before his appearance in LA.

A Fortuitous Treat on Feb 27

21 Feb

1MelissaAxelByLindsayMcWilliamsWEB

Melissa Axel by Lindsay McWilliams

Feb 27? But. That’s. Oscar. Night. Yes, I know. Now don’t you fret. The Academy is certainly not known for its expeditious ceremonies, so my guess is that you’ll be able to catch the beginning and the end of the televised excitement. In between, here’s a fortuitous treat for you. As part of her February touring adventures, Denver-based artist Melissa Axel will arrive that evening in Los Angeles to present some of the songs from her upcoming debut album. She will appear with special guest James Jacoby, the one and only “Modern Tuba“.

Join us at 7:00pm on Sunday, February 27 in West Los Angeles for Melissa’s solo vocal/piano concert (50 to 60 minutes), followed by a dinner prepared by yours truly.

Shyam Shahane, Manisha Shahane - in Seattle, WA

By chance, my father is also going to be visiting us in Los Angeles this weekend. As you’ll recall, my father accompanied me on tabla at festivals in Roanoke, VA and Seattle, WA. Melissa has asked if we would perform a couple of tunes, so I am hoping to debut a new song titled When You Dream.

The concert will be hosted in a traditional “baithak” style with floor seating. Some elevated seating will be available for those who are unable to sit on the floor. There is a suggested donation of $15 to $20 for the musical and culinary treats. Seating is limited and only a handful of spots are remaining at this time. Please RSVP to reserve your seat and you will be sent a confirmation with the address.

The Birth of When You Dream

15 Feb

Happy Valentine’s Day (belatedly)! I spent most of Valentine’s Day writing a song, which is why you are hearing from me now, after midnight. So the new song is very much about love, and in more ways than one. In the course of writing this song, I felt giddy with excitement as I eagerly anticipated how it would become something from nothing. Along the way, James Burgos asked me how long it takes me to write a song. As I told him, sometimes pieces might evolve over the course of several years. A part I might have written a while back may well find its home in something I’m working on now. At other times, it might take a few days or less to complete something. I just try to ride the idea (lyrical or musical) and see where it takes me, rather than trying too hard to steer it or force it in a particular direction.

In this case, the song was “conceived” on the evening of February 9. A musical idea came to me, just as I was about to get up from the piano and tend to dinner. I played around with it quickly and thought I would return to it later, thinking it would stay with me. Unfortunately, later that night I couldn’t remember it exactly when I tried to record it. Feeling a bit disappointed, I went ahead and recorded a variation of the idea. I felt a bit worried that I might have managed to lose a good idea. Though in my experience, recording or documenting ideas has its merits, but ultimately what is meant to be will be. Chasing an idea works about as well as chasing unrequited love. I shared my thoughts on my Artist Page on Facebook. Thanks to filmmaker Pratibha Parmar, who chimed in and reminded me to “trust”. In addition, podcaster Nesheba kindly shared with me that a misplaced item often reveals itself when we are not looking for it. Indeed, their points fully resonated with me.

I let a day pass. Some musical ideas are not meant to be songs, but I felt that this one was headed in that direction. The next time I worked on it was the morning of Feb 11, when I came up with the melody and most of the form. An unexpected situation arose, but I continued to think about the piece while I was away from the piano. A theme of sorts came to mind. It was a pleasant distraction while we spent several hours waiting in the ER. Late that night, after returning from the hospital, I took a few minutes to record the current iteration of the idea, just to be safe. Then, on the evening of Feb 13, I added another part to the song form. At this point, it was clear to me that the form was in place. Now I had to come up with lyrics. I decided to step away and come back to the song another time.

When I woke up this morning, I was feeling a bit blue and under the weather. Some worrisome events related to my Valentine’s health and other concerns were bothering me. I felt annoyed when I tried to watch the news and our cable wasn’t working. I tried to check email, in hopes of receiving some news for which I’d been waiting. Alas, the internet was down. What to do?!

So I sat at the piano and started playing the form of the as yet untitled song, tackling the decision-making process that is perhaps the hardest part of writing a song. There are so many possible directions. I had a pretty solid lyrical idea for the chorus, but what was going to lead me from the beginning of the song to the chorus? I had to be prepared to let go of the chorus, in case the verse ended up leading me elsewhere. I felt it was too early to get attached to any particular outcome.

Eventually, after some experimentation, I came up with a first verse. Pleased with this accomplishment, I just kept singing it over and over (and over and over). To go back to the birth analogy, this is when the “lyrical contractions” got stronger. I felt compelled to keep writing and re-writing, shaping and re-shaping. The fact that it was Valentine’s Day also inspired me to keep going. I suppose I owe a bit of thanks to the cable company, as its service failure this morning prompted me to “go into labor”. By the end of the day, a song was born.

My Valentines (husband and stepson), and sister are the only ones to have heard the song thus far, but I look forward to sharing it with more of you soon! I just now decided that I’ll debut the song in a solo piano/vocal performance at this “baithak style” event on February 27 in West Los Angeles (seating is limited so RSVP for information and directions). Also, I’ll likely perform this song with my band at my upcoming concert of songs rooted in folk, jazz, and Indian traditions at The Mint on Saturday, April 2.

“When You Dream” is about our inner beauty and learning to trust what we see in the midst of uncertainty, when we are in that place where “dreams meet sunlight”. As I was reflecting, I realized that this song also has a connection to the photography of artist Christopher Barbour whose work touches on similar themes. Check out the 2009 post “i woke to find myself”, in which I featured one of his photographs and interviewed Chris about his work. You might “see” what I mean.

And, now without further ado, please welcome to the world: “When You Dream”. I know that reading the lyrics is not the same as hearing the song, but hopefully this will do for now! All are invited to share tales of birthin’ songs or other creative projects in the comments below.

When You Dream
by Manisha Shahane, Copyright 2011 Bridging Hemispheres/ASCAP

VERSE 1
In the dream I had last night
I thought I saw you smiling.
I could barely breathe,
I could barely see through the fog.
pre-chorus
As the sun began to rise,
The fog slowly lifted
But in the light of day
Your face had drifted away, away

VERSE 2
I lie awake and look to my left
I see you sweetly sleeping
I wonder if you dream
I wonder if you see through the fog
pre-chorus
If we only took the time
To see what’s inside
Find the fortitude within
That we often strive to hide

CHORUS
So when you dream
Try to discover
The beauty inside
Now as we wake
It’s time to recover our sight

VERSE 3
In the dream I had last night
We were holding hands & flying
Over all the trees
Over all the seas, through the fog
pre-chorus
As the sun began to rise,
The fog slowly lifted
And in the light of day
Your gaze had not drifted away

CHORUS

BRIDGE
In the hazy phase,
Dreams meet sunlight.
Yet my heart can see,
And I feel alive! Yes, I feel alive.

CHORUS

ENDING

Update: On February 20, I reviewed the song form, to which I made minor adjustments. I also composed the instrumental ending, following which I refined the piano arrangement for the entire song.

Buy advance tickets for the Los Angeles Release Event

1 Nov

Manisha Shahane – The Los Angeles Release Event & Birthday Celebration on December 6!

Why wait? Buy tickets in advance for a better deal!

$8 per person includes
+ admission for all ages (no additional charge for persons under 21

$10 per person includes
+ admission for all ages
+ album download delivered in advance of the event

$15 per person includes
+ admission for all ages
+ CD delivered at the event

NOTE: There is no service charge. All sales are final and all shows are rain or shine. Please bring your receipt with you to the event.

EVENT DETAILS

December 6, 2010 – LA Release Event

8:30pm – ONE SET ONLY
(Doors open at 7:00pm)

The Mint
6010 West Pico Blvd, Los Angeles, CA 90035
Phone: 323.954.9400 (We recommend reserving tables.)
All Ages Welcome
$10 cover/$8 with flyer at the door
Add $5 for persons under 21
BONUS: The Dave Lewis Group will be opening at 7:15pm

Manisha will be appearing at 8:30pm for one set with her band and special guests. Don’t miss it!

We’ll also be celebrating Manisha’s birthday and other fascinating anniversaries. Stay tuned for the obscure & scintillating facts!

Roots Reunite in LA on November 20

31 Oct

“Roots Reunite” features two cousins who are crossing boundaries to demonstrate the ways in which elements of Indian classical music can be integrated with Western song forms and genres, as well as aspects of other musical traditions.

Chirag Katti on Tour, The University of Virginia

Chirag Katti on Tour, The University of Virginia

Manisha Shahane, by Chris Yeager

Manisha Shahane, by Chris Yeager

The event on Saturday, November 20 will begin at 11:00am with a sitar master class that is open to beginning, intermediate, and advanced students of Indian classical music. The artists will also discuss differences & similarities between Western music forms & Indian classical music, followed by a short presentation featuring sitar, voice, and piano. Participants will be encouraged to engage in conversation & share their experiences with these forms of music. This two-hour workshop, presentation, & conversation will be hosted in the music room of a lovely home in the Brentwood neighborhood of Los Angeles, CA. Light refreshments will be served. 100% of the donations will go to the presenting artists.

Space is limited, so we ask you to please REGISTER IN ADVANCE VIA THE FORM TO THE RIGHT (IN THE SIDEBAR). Having a limited number of persons at the event ensures the opportunity for greater interaction among participants and with the presenters. The address and directions will be e-mailed to those who have registered. Registrants will be accepted on a first-come, first-serve basis. You do not have to make a donation in order to register.

About the Artists

Chirag Katti
Chirag Katti Nov 20 concert posterWith 4 albums to his credit, Chirag Katti is a Mumbai-based sitarist & composer who is on his third tour in the US. He is a recipient of the prestigious ‘Surmani’ award and scholarship for Sitar by the Ministry of Culture (New Delhi). A Diploma holder in music from Mumbai University and born in a family of musicians, Chirag has been learning sitar from his father Pt. Shashank Katti for the last 18 years. Chirag follows the ‘Imdadkhani Gharana’, but that does not stop him from reaching outside the boundaries of his training.

Following the Roots Reunite event, Chirag will be giving a traditional classical sitar concert at 5:00pm on November 20 in Lake Forest, CA (Orange County).  At this concert, he will be accompanied on tabla by the highly respected Debasish Chaudhuri, nephew of World-Renowned  Tabla Maestro Pandit Swapan Chaudhuri. Please view the poster for additional details.

“There is little doubt that Katti has enormous talent-his playing is both studied and expansive, and he tackles difficult raags with panache. Also, his sitar skills bear the mark of years of practice.” –Rave International Magazine

Manisha Shahane
Manisha Shahane, who hails from southern Virginia, is a Los Angeles-based singer, pianist, songwriter & composer who has just released her second album,
When Parallel Lines Meet. As a child, Manisha was encouraged & taught by her mother to sing in both Indian and Western styles. She later began her formal musical training by singing in choirs and taking private classical piano lessons throughout her teens. Over the years, Manisha continued to engage in periodic instruction in voice, guitar, piano, and dance. She also sought out training in Indian classical music and has performed in a variety of genres. Before moving to Los Angeles, she studied in the Boston area with Charlie Banacos, a master of jazz theory & improvisation. A multi-year recipient of the ASCAPlus award, Manisha has been writing songs & music for nearly 30 years and she has been active as a performing songwriter for over a decade. The Los Angeles CD release event will take place at The Mint on December 6. Please view the poster for additional details.

“A marvelous performer and her pristine vocals only prove that this sublime blending of sounds and tones is no accident…an adventure through cultures and countries that proves incredibly satisfying and energizing…Her ability to draw listeners in with various styles is remarkable and many will be mesmerized by her transitions…” –Jordan Richardson, I Hear Sparks, BlogCritics

The Merits of Doing Less in More Time

1 Sep

Funny CartoonWith the forthcoming Autumnal Equinox, I feel a bit like an excited school girl, anticipating what the coming year has in store for me.  Even though we don’t have Autumn Leaves falling here in Los Angeles and we really didn’t have much of a summer, I can feel Autumn in the air.  It is, to me, an opportunity for fresh starts. However, instead of getting carried away with my brand new to-do list, I am taking a moment to understand what I am doing already. Indeed, where do the hours go? I find myself unwittingly buying into the popular notion of doing more in less time. But what if I just flipped that whole notion on its head? What if I accomplished less in more time? How would I feel at the end of the day?

Be Kind, Rewind
First, let me provide a little background to this tale of self-observation. Years ago, I decided to take charge of my time and be my own boss. This was a positive move that enabled me to “get things done”.  I became focused on what was important to me and gradually let go of doing things that weren’t central to my goals. A friend of mine joked that I must have been born a human doing. I had to make trade-offs, but I felt happy overall. Sounds great, right? So what’s the catch?

Well, once I saw that I was good at “getting things done”, then I wanted to “get MORE things done.” And, just like that, in one fine millisecond I realized that being in charge of all my time all the time was not as much fun anymore. I felt unhappy. I had no one else to blame if I was not making the most of my time. Therefore, I took what seemed to me to be the next logical step:  I decided that it was unreasonable of me to expect myself to make the “most” of every moment of my life, whatever “making the most” might have meant to me at any given moment. After all, I am a human being, yes? So why couldn’t I just be? And so begins the tale of the time log and the human being.

The Tale of the Time Log and the Human Being
About 18 months ago, I attended a small, informal event organized by Savor The Success, a networking group for female entrepreneurs. One of the speakers was a professional organizer who addressed the issue of time management. Much of what she shared was nothing new to me. However, my ears perked up when she pulled out a week-long grid and asked us to fill it out with what we actually did, instead of what we planned to do. I was intrigued by this idea and decided to call it the “what-I-did grid”.  As one might expect, the what-I-did grid went on my something-new-to-do list. And there it stayed, untouched.

Then, after releasing When Parallel Lines Meet this past spring, an exhausted me looked back on what had been a very stressful period of roughly two years, peppered only with a few moments of calm.  Even though I acknowledged the numerous challenges I had faced and felt good about my accomplishments in spite of them, a part of me experienced that lingering feeling of “where did all the time go?” and “why couldn’t I get even MORE done?”  I took this as a hint for me to pause before embarking on any new adventures. Over the summer, I got my act together behind the scenes, plus I took some time to catch up with family and friends. I also began to revisit my goals and the path I am taking to achieve them.

At the end of this period of reflection, I was ready to go under the microscope. About 10 days ago, I created my very own what-I-did grid. (Yes, it lives in a spreadsheet, of course, for those of you who are familiar with my proclivity for Excel!) Next, I told that inner judge to take a vacation and I began tracking what I was doing (and sometimes how I was feeling), 24 hours a day. Call me crazy. But I’ve learned a lot about myself.  As I evaluate the data, I realize that there is an inherent observer bias. I’ve definitely been more aware of what I am doing and how long it is taking. For example, if I felt like goofing off and recognized that I needed to relax, then I just let myself be and carried on.  If I became distracted when I wanted to be focused on completing something, then I quickly stopped myself and got back on task. I also observed that keeping the log did not take up much time, mainly because I used a system that worked well for me.

The What-I-Did Grid Tells it Like it Is
The what-I-did grid is a witness to my life’s twists and turns, as well as a party to the moments of joy. It is a testament to the fact that I am doing the best that I can. Like any human being, I have personal quirks that may inhibit me at times. The what-I-did grid helps to highlight these issues, so I can be more aware of them in the future and understand what I can do to change them or work around them. In addition, I can see what kinds of activities bring out the best in me.

With respect to a number of “non-thinking” types of activities, I feel that I’m more or less as efficient as I can be…or, should I say, as efficient as I want to be. For example, I’ve come up with systems to save time in completing repetitive tasks and/or make use of “wait time”, I’m fairly organized so that things have a place to go (most of the time), and I have even timed myself in the past to see how long it takes me to complete certain everyday activities in order to allocate enough time for them. During these days of logging, I noticed that I made a concerted effort to speed up activities that don’t require much thinking. I tried to avoid obsessing over things that otherwise might have taken me more time to complete.

I am a great believer in discipline and efficiency – to a point. Certainly I can be a little more disciplined here or there and I can do this or that a little more efficiently to “skim” time at the margins and it will add up. But I am not a robot.  There’s only so much skimming I can do before the process itself is not as enjoyable (for me). The marginal satisfaction derived from each additional efficiency improvement diminishes and eventually becomes zero (or negative). So I think that being more disciplined than I am right now and doing things more efficiently will only marginally help me get more of what I want out of my life.

When it comes to activities that require a lot of thinking and/or the involvement of others, the what-I-did grid demonstrated (painfully) that such activities often take longer to complete than I hoped they would.  This was no surprise. Moving forward, I have decided that I probably need to allow even more time for these types of activities…and that means I’ll probably be better off taking on fewer activities in a given period of time – if I want to keep my sanity, that is.

“Hope” is the operative word above.  I can hope all I want that Y will take X hours, but hoping by itself produces nothing. It is entirely possible that my standards are too high in some respects and I could stand to skim a little here and a little there, especially in a society that is consumed with speed to market and the number of widgets produced. And it will probably be a good idea to confront that inner judge when she comes back from the vacation. But the bottom line is that no amount of hoping will save me from having to make a choice of some kind.

And, therein lies the problem. I don’t want to choose. Choosing is hard. Those of you who know me will understand that I’ve already made some difficult choices. I’ve taken some risks. Yet, the what-I-did grid makes it clear to me that, even in the course of pursuing my dreams, I have to keep on choosing…or someone or something will choose for me.

I might still wish that I could “do more in less time”, but the reality indicates that there may be some merits to my trying to “do less in more time”.   Whenever I try to do less, I’m more relaxed and I can think more clearly.  More often than not, I’m happier both with the process and the end result. The question is: How can I buy myself the luxury of time? Can I afford not to? What’s the point of pursuing my dreams if I can’t enjoy myself along the way? The more I allow for the ebb and flow of creativity, inspiration, and productivity, the more likely I am to enjoy this passage of time known as life.

Here’s a little joke I remember. I’m not sure if the scenario is spot on, but this is the essence of it:

Wife: “What are you doing today?”

Husband: “Nothing”

Wife: “I thought you did that yesterday.”

Husband: “I didn’t finish.”

So what?
That said, what is the moral of this tale? What does it mean to “try to do less”? Should you become complacent and stop aspiring to be the best that you can be? That’s not what I am suggesting. In fact, I’m all for dreaming. But I do think it is helpful to understand your limitations in light of the dreams you are pursuing. Some limitations you must live with, but other limits can be removed by changing your perception. Knowing every time management trick in the book is helpful only if you know yourself well enough to understand what will work for you.

What do you think?  Please regale me with your own tales!

"When Parallel Lines Meet" CD Release – Welcome to the Online Listening Party!

16 Apr

Today is the official release date!  It’s time to celebrate!
Welcome to the ONLINE LISTENING PARTY for
When Parallel Lines Meet
Ⓒ 2010 Bridging Hemispheres/ASCAP
produced by Daniel Cantor & Manisha Shahane at Notable Productions
photography by Chris Yeager, artwork by David Grant
all songs by Manisha Shahane, except for “Still” by Manisha Shahane & Gal Bitan
No matter where you are in the world, you can stream the ENTIRE album or listen to individual songs here.  Oh, there’s one thing I just realized should mention: Although we’re providing all the musical food & fireworks, this online shindig is BYOB. : ) So, grab a beverage and relax in your favorite chair. And enjoy…

While you listen to the music, I’ve got a little treat for your eyes; it’s a special 60-second slideshow I just created using some stills from the footage of the January 4, 2010 “birth celebration” in Tel Aviv, Israel.

Please contact me if you are interested in the video of the concert.

By the way, if you dig what you’re hearing, please consider:

1. Sharing the music online (use the “share” button on the music player above)
2. Sharing your comments here and at the online retailers mentioned below.

When Parallel Lines Meet is now available for purchase at Amoeba Music Store in Los Angeles and also at online retail stores, including AmazoniTunesCD Baby, CD Freedom, and more. However, you will get a super deal if you download the music or purchase the CD at the ManishaMusic Webstore, which offers downloads of a superior quality and CDs signed with a personal note to you or the recipient. Plus, when you buy music from my webstore, your hard earned money will not fill the coffers of a third party intermediary. And, best of all, my webstore is open to anyone, anywhere in the world.

p.s. Got 98 seconds?  If you haven’t already seen it, please be sure to check out the new music video! (You can see it in HD on YouTube, as well.)

p.p.s. For anyone interested in upcoming real life CD release events, join me at the KUT radio-sponsored evening on 4/20 at Momo’s in downtown Austin, TX w/Oliver Rajamani, Brad Taylor, Russell Scanlon (plus two other great bands on the bill) and on 4/24 at the Neutral Ground Coffeehouse in New Orleans (sharing the bill with the fabulous Lilli Lewis). Join the mailing list to keep posted on future tour dates & release events.

Thanks for dropping by the newly renovated lounge at Bridging Hemispheres!

Sunset AyegA – From Inspiration to Realization

21 Aug

From Hovering Hues at Sunset, August 3, 2009, West LA

Monday evening. August 3rd. I had just placed my taco order at Benitos when I was caught off-guard by the brilliant hues of pink across the street. While the eye of my phone camera could not fully capture my excitement, it inspired me to try to capture that moment in the life of my beloved neighborhood. At the far left is the contemporary En Sushi, where my neighbor tends bar. Then there is our favorite place to rent movies on the cheap, A Video Store Named Desire, sandwiched in between Peruvian delights at Qusqo and yet another Japanese spot, California Roll Factory. Jump into a time capsule, travel back more than a half century, drink an All-American milkshake, and still access the internet via free wifi at the Cafe 50’s. Finally, there’s Juquila on the far right, which serves up the cuisine of Oaxaca, a state in southern Mexico.

Later that week, I began to write this bilingual tune with English verses and a chorus in Hindi, attempting to capture my encounter with those hovering hues. Yet, writing a song about this particular subject was not my intention from the outset. A melody, a moment, a mellow groove – each of these emerged independently. Together, they inspired me to write the first version of the lyrics, embracing my playful side. I revised it once more a couple of days ago and now I am ready to share it with you. I’d like to thank my parents and the mad scientist for their feedback and support as I walked the path from inspiration to realization.

Chances are that you will hear me debut this song tonight, Friday, August 21, 2009 at Cinespace in Hollywood. My set is at 10:00pm in the Acoustic Room. For details, please visit my website calendar.

Sunset AyegA
(sunset will come)
Words & Music by Manisha Shahane
August 19, 2009

CHORUS:
घुमते-घुमते अाकाशी रंग, अायेगा
फिरते-फिरते मोती जैसा चाँद, अायेगा
चंद्रमाँसे अाया प्रकाश, अायेगा
अायेगा, अायेगा, अायेगा

CHORUS (transliteration):
Ghumte-ghumte AkAshee rang, AyegA
Phirte-phirte moti jaisA chAnd, AyegA
Chandra-mA se AyA prakAsh, AyegA
AyegA, AyegA, AyegA

VERSE 1
Twilight tingles down my spine
A rising moon, a smile divine
Between the lashes of my eye
A palette splashes in the sky

VERSE 2
Swirling, twirling, purple, pink
My effervescence on the brink
Succumbing soon to night’s delight
The sun now slumbers out of sight

VERSE 3
Moonlight streaming to the beat
Shadows dance beneath my feet
I hear the whispers of my soul
Now it’s time to rock and roll

Piano Night: LA Songwriters Tickle the Ivories at Home Silverlake

14 Aug

From Piano Night #2 at Home Silverlake, August 10, 2009

Several of you will recall that there were two sonorous Steinway grand pianos for our performing (and listening!) pleasure at the Bridging Hemispheres House Concert that I directed and produced this past Mother’s Day. However, the truth is that there aren’t many spots in Los Angeles where performing songwriters get to tickle the ivories of a real piano, much less a grand piano. Often, when we do find one, our ears and fingers wish that we had left those ivories untickled. I realize how spoiled I was during my years in Boston when I regularly played the Kawai Grand at what is known today as the LilyPad in Cambridge’s Inman Square.

So, when fellow musician Edward “Tex” Miller (of Layabout Band) discovered a baby grand piano in fairly good condition at a venue called “HOME” in the Los Angeles neighborhood of Silverlake, he thought it was time to change the landscape. After the success of the inaugural event in July, Tex decided to host Piano Night #2 on Monday, August 10, 2009, for the patrons of this neighborhood bar & restaurant. On this occasion, Tex invited Gilli Moon and me to join him on the bill. We each performed a short set and the relaxed atmosphere gave everyone plenty of time to chat in between sets. The response from the audience was warm & friendly.

Good music. No cover charge. Comfy booths and chairs. Yummy food for all ages. And one ginormous chandelier. According to Layabout’s MySpace calendar, it looks like September 7 will be the next night devoted to piano-playing songwriters in Los Angeles! Check with Tex for details. Home Silverlake is located at 2500 Riverside Drive. Los Angeles, CA 90039. Please enjoy this slideshow of a few snaps from Piano Night #2.

New Song: "Speak, Memory Speak" – How Vladimir Nabokov, Michael Jackson, & The Mad Scientist inspired me

3 Jul

Back in college, I took a Modern English literature class that included books by authors such as Vladimir Nabokov on the reading list. “Speak, Memory” was one of the books by Nabokov; it was an autobiographical memoir. Years later, more than the details of Nabokov’s life, what stayed with me is the title of the book.

Now let’s fast forward to last week when I learned that Michael Jackson died. The “King of Pop” had passed on suddenly, unexpectedly. Although I had not followed him or his music career after the release of “Bad”, I was drawn like a magnet to his songs on that album and his previous two solo albums. His death took me back to a time when I was a pop music fan and listened to “Casey Kasem’s Top 40” weekly radio show, eager to find out which artist or band would capture the #1 slot. I reflected on the positive qualities of popular music, such as its ability to convey a message and draw masses of people together.

The next day – which was last Friday – I was inspired to sit at the piano and, seemingly out of nowhere, three things converged à la Bridging Hemispheres: the title of the aforementioned book by Nabakov, the memory of Michael Jackson & his memorable songs and my own desire to connect with others through music, and the idea that without our memory, we are empty vessels.

The last point is an issue that is explored frequently in our home, as a result of the work of my husband, hereinafter referred to as The Mad Scientist. Day in and day out, The Mad Scientist labors to apply his vast knowledge of proteins to the mission of finding a cure for Alzheimer’s Disease and other diseases to which his research may also be relevant.

And so, the chorus of a new song was born. Today I finished the music and lyrics. I dedicate this song to The Mad Scientist and his team and to all individuals and families who have been touched by Alzheimer’s disease.

I may very well debut this song at the FREE show tonight, Friday, July 3, at 10:30pm (one set only) at Room 5 Lounge in Los Angeles – but I don’t make any promises.

“Speak, Memory Speak”
By Manisha Shahane
Music & Lyrics completed on July 3, 2009

Verse 1
Looking left, then right
That’s when I encounter the mysteries of my mind
Dusk turns to night, and still I cannot find
My way back home

Verse 2
In the dark, I run
Through empty closets where once my memories hung
But now they are gone; Alone, I carry on
Until dawn, I roam

CHORUS
Speak, Memory Speak
Speak, Memory Speak
Loud & clear
So I can hear you

Verse 3
Now the games unfold
Hide-n-seek with the faces I have known
Your sad eyes belie what you try so hard to hide
What was ours is no more

CHORUS

Verse 4
I hear a whisper of the past
But my thoughts have lost the strength to grasp
The words fall away; the scenery fades
Nothing left to bemoan

CHORUS

BRIDGE
Feel the rain wash over my face
In the here & now, I leave all the traces behind….

CHORUS